DRAWING FROM MEMORY by Allen Say
Say, A. (2011). DRAWING
FROM MEMORY. Scholastic Press.
DRAWING FROM MEMORY is
Allen Say's own story of his path to becoming the renowned artist he is today. As
a boy, he was shunned by his father, who didn't understand his son's artistic abilities.
He was sent off to school in Tokyo where he meets Noro Shinpei, Japan's leading
cartoonist and the man he came to love as his "spiritual father." Shinpei takes him under his wing and begins to
nurture his talent and love for art. He works hard in rigorous drawing classes,
studies, trains, and eventually finds himself in his art.
The book is Say’s memoir of him growing up in Japan. It includes many of his cartoon drawings, watercolor paintings, vintage photographs, and maps. It demonstrates the real-life relationship between a mentor and his student. The author’s note gives you a look at Say’s life when he is older. He talks about Shinpei and his going back to Japan as an adult, to see him. You can tell that this book means a lot to Say because of his relationship with Shinpei and his love for art.
The book is set in Japan,
so it highlights Japanese culture. The markers include some names, places, customs,
and political views. The artwork shows Japanese writing, some native dress, and
architecture. One point I want to make about the cultural markers is the
mixture of the old and new. In some photographs, you see people in traditional
Japanese dress. In others, you see the clothes of the era. (1940’s and
1950’s) I’s as if the modern way is the
“American Way” and the old is the “Japanese Way.” They seem in conflict throughout the book.
One part in the story I
want to point out is when the young Allen Say reads comic books to his
neighbors. Again, is the conflict between old and new. He reads the children
comic books but then compares himself to a “kamishibai man” who is a
traveling storyteller with picture cards.
I can’t understand why he
burned his sketchbooks. I’m fairly sure that it was symbolic of Say leaving
his old life behind and starting a new one in America, but that is like burning
your baby pictures. I couldn’t do it.
Booklist Editor’s Choice:
Books for Youth, 2011
Publisher’s Weekly: “Japan's
most famous cartoonist, Noro Shinpei, accepted Say as an apprentice until Say
immigrated to the United States in 1953. Say's account of his relationship with
Noro (who later called Say "the treasure of my life") is the
centerpiece of the narrative. As the story of a young artist's coming of age,
Say's account is complex, poignant, and unfailingly honest. Say's fans—and
those who also feel the pull of the artist's life—will be captivated. Ages
10–up. (Sept.)
SLJ: “There
is a belief amongst parents that graphic novels are a kind of lesser form of
literature because there is something about the use of images with words that,
when combined, renders both weaker. To people who feel that way I would hand
them Say’s memoir. His is a brilliant mixing and melding of the two art forms.
And while the pictures, photographs, and cartoons tell a moment in a life well,
his words really steal the show.” December 27, 2011, by Elizabeth Bird.
Other books by Allen Say:
GRANDFATHER’S
JOURNEY ISBN 9780544050501
KAMISHIBAI MAN ISBN 978-0618479542
TEA WITH MILK (RISE AND
SHINE) ISBN 978-0547237473
TREE OF CRANES ISBN 978-054724830

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